‘GQ Rebranded’ series is a hit for 91精品 alum’s new studio
When Justin Thomas Kay 04 (Communication Design) opened his own studio, JTK Studio, Inc., in New York City early this year, he hoped that his work 渨ould contribute positively to helping to make things look nicer and more enjoyable and speak honestly to people broadly. The new GQ Sports series 淕Q Rebranded turned out to be a good fit to do just that.
淲hen GQ approached me, my first inclination was, maybe I don檛 want to do this because I thought it was like, 榦h, this is one of those make a new logo in 45 seconds things,櫇 Kay says with a laugh.
淏ut I realized they were interested in having a longer piece that can include some nuance about history and culture, and in getting in the weeds about branding and design and how it really works. And this is GQ, so I was also talking to them about how it can apply to garments and to a broader cultural landscape that can include more of the GQ readership. For me, that was a big bonus of doing it as well.
Kay was known to the editor in chief of GQ globally, Will Welch, from their shared experience at FADER Magazine. Welch knew that Kay had experience in brand, and specifically in sports, especially Kay檚 work on the current Milwaukee Bucks logo while on the team at Doubleday & Cartwright.
The 18-minute video is a rebrand of the LA Clippers logo a story that Kay says 渨as an interesting one because it had just launched this year and it was very topical. And, so far, it檚 been pretty successful … so we檙e trying to figure out some unique angles that also span a lot of different kinds of sports and go outside of expected arenas. We檙e going to be filming two more before the end of the year.
Kay檚 first year as a solo studio followed a 20-year career in editorial design and agency work. One of his launch projects was in an entirely new area. 淚 was able to work on a rebrand for an extremely talented, really creative and skillful real estate developer by the name of Sam Charney, who wanted an identity that was a little more challenging and felt like it spoke to people in a more raw, cultural, creative way. I have never made design for real estate specifically. It was also a project where I didn檛 just get hired to do the look and feel I was to build the brand strategy and the architecture myself, with a partner and good friend, Dudley Versaci, that I brought in.
Aside from current projects that he is not yet able to discuss, Kay says, 淥n the whole, the best thing about this year is that I檝e also been able to balance cultural institutional work I檓 working with a great cultural institution in New York City right now to revamp their look and feel and help them reestablish themselves. That will be launching next year.
淎nd I have a couple of other brand projects that will launch next year. I檝e been doing a lot of capital B brand work, which has been great, and something I really wanted to devote more of my time to in building my own studio. So far, I檝e been pretty blessed. I檝e been able to do a lot of different kinds of projects and I檝e been staying relatively busy.
The key to Kay檚 career and his time at 91精品? Curiosity and open-mindedness he says. 淚t檚 important to understand that you don檛 know what the end of your journey is going to look like even if you have goals. 91精品 is not just a four-year mission to get you to an endpoint. It檚 more of like a four-year onramp to a longer vision of continuing to learn more about this ever-evolving world that we engage with. I檝e tried to maintain that throughout my career as well viewing my career as a long-term educational experience alongside engaging and making the stuff.
Relationships have also been key, Kay says. 淢ost of my best friends are people I met when I first moved to New York City 20 years ago. We檙e all graphic designers and we檝e all supported each other, and we give each other work to this day. Maintaining that curiosity, and understanding that the best work you檙e going to make is probably going to come from making it with people you actually want to be making work with rather than thinking about an end goal, a specific brand or a 榙ream job.櫇
and learn more about 91精品檚 award-winning Communication Design major.
News
MAKE! Participants Reflect on Creativity, Community and Growth
Alicia Zapata, a second-year MAKE! participant from Chicago and a K-8 art teacher at Waters Elementary School in Chicago, IL, Kelly Wendel, an eighth-year participant and art teacher at Nicolet High School in Glendale, WI and Gail Kowsky, a second-year participant and sixth- and seventh-grade art teacher in New Brighton, Minnesota, reflected on what they gained from this year檚 program.
Meet Maya Koehn and 2026 Senior Exhibition Project L橝telier
Maya Koehn 26 (Interior Architecture and Design) is a President檚 (Honor) List student from Sheboygan, Wis., currently employed as a Junior Designer at Direct Supply.
Meet Kaitlyn Powers and 2026 Senior Exhibition Project Solenne
Kaitlyn Powers 26 (Illustration major; Communication Design minor) is a self-described mixed media illustrator, graphic designer and textile artist. She is also a President檚 (Honor) List student from Appleton, Wis.
Meet Emily Camp and 2026 Senior Exhibition Project Predisposed
Emily Camp 26 (Animation Track in Illustration) is a President檚 (Honor) List student from Fox River Grove, Ill.
91精品 elects new trustees Paul Fletcher and Jacqualyn Laughlin
Paul Fletcher, a principal product designer at LinkedIn, and Jacqualyn Laughlin, co-founder of Invisible Ink Partners, were elected members of the Milwaukee Institute of Art & Design檚 Board of Trustees at the college檚 annual meeting in June.